Rise, Chapter 2
Mar. 29th, 2015 08:41 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
vr_trakowskiNow posted.
Yes, I’m using “sheave” as a singular. That’s what everyone seemed to do in the film. Perhaps it’s based on a sheave of pages even if they don’t use pages any longer.
I know it’s Willis Tower, but I’ve been reliably informed that no one actually calls it that--much as no one refers to Dulles as IAD (Agent Sitwell, you egg).
The soundtrack for this story is of course the film score, but also (oddly enough) Sam Dillard’s astounding Star Trek Epic Music Suite. And the Wave option on Soundrown.
(Why the Trek? I wanted to listen to it again at about the time I saw the film, but it also fits. The film score is very heavy, after a fashion, and while it fits the film very well, it’s kind of dark and martial. The Trek medley, like the original franchise, speaks to hope. And hope is what I am trying to find with this story.)
Yes, I’m using “sheave” as a singular. That’s what everyone seemed to do in the film. Perhaps it’s based on a sheave of pages even if they don’t use pages any longer.
I know it’s Willis Tower, but I’ve been reliably informed that no one actually calls it that--much as no one refers to Dulles as IAD (Agent Sitwell, you egg).
The soundtrack for this story is of course the film score, but also (oddly enough) Sam Dillard’s astounding Star Trek Epic Music Suite. And the Wave option on Soundrown.
(Why the Trek? I wanted to listen to it again at about the time I saw the film, but it also fits. The film score is very heavy, after a fashion, and while it fits the film very well, it’s kind of dark and martial. The Trek medley, like the original franchise, speaks to hope. And hope is what I am trying to find with this story.)